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Posted on: May 12th, 2008
Filed Under: [ Art y Culture ] [ Non-US News ] [ People ]
Tags: Mexico
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Phantoms come, phantoms go. They swirl around Leonora Carrington, a tiny woman of 91 with a tart intellect and a posh British accent, as she sips Earl Grey tea at her kitchen table. They rise like black vapors from the pavement of Avenue Reforma, where a menagerie of Carrington’s enigmatic bronzes startle pedestrians and spook passing cars.
“Nobody ever takes this chair,” says Carrington in her genteel, impish voice, indicating one of four matching seats for her tea-time guests. “I think it’s haunted by my husband.”
After more than six decades of living in Mexico, where she has raised two sons and outlived two husbands, Carrington is being showered with accolades, exhibitions (including the outdoor sculpture show on Reforma) and essay tributes as one of her adopted country’s greatest living artists and its last remaining link to a key chapter of Modern art history. She appreciates the attention. “They’ve been very receptive and very kind here in Mexico.”"*
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