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LA TIMES on RICKY MARTIN: MTV UNPLUGGED

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Posted on: November 28th, 2006
Filed Under: Hispanic News, Musica, Press Releases
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“As The Los Angeles Times Praises : MTV UNPLUGGED In A Lead Review Today, The Album’s Acclaimed First Single

“Tu Recuerdo” Will Notch A THIRD WEEK As The #1 Latin Pop Song In The Country For A Second Consecutive Week, : MTV UNPLUGGED Is Also The #1 Selling Latin Music IN America

“”¦by reinventing his old hits in an acoustic setting with a monster band, Martin has reinvented himself. We discover an artist who is mature, grounded and focused on musicality”¦ The first revelation is the choice of songs”¦ music that made him a solo star in ”¦ Martin and his robust band transform [songs] such as “Marí” and “La Bomba” into exciting, swinging tropical celebrations with flamenco touches and pan-Caribbean accents. Who would have thought that Martin would be making some of the tastiest salsa music of 2006? The inclusion of a cuatro, a guitar with a bright sound, adds an appealing, rootsy flavor to a big band with horns, strings and a powerful rhythm section. The second big surprise is the CD’s three new songs. “Tu Recuerdo” (Your Memory) is a beautiful love song written by producer and fellow . For this splendid duet, Martin doesn’t return to the usual suspects among his Miami neighbors (, Sanz). He features the relatively unknown Mari from ’s fabulous flamenco chill band, Chambao. It’s a magical choice. The CD closes with “Pégate,” an uplifting blast of a bomba, a native style. Co-written by Martin, the tune touches an ageless theme in tropical music: The rhythm can ease your troubles. And in the case of this still evolving star, it can also make you born again. (3 ½ Stars)” – Agustin Gurza, Los Angeles Times, 11/27/06 – Lead Album review

“[] sounds blissfully in the moment and inspired by the euphoric live arrangements on this album. You can almost hear him smile as he sings his way through pre-crossover favorites like “Maria,” “Vuelve” and “La Bomba.” Martin reminds his loyal audiences of the energy and charisma he’s known for, accompanied by soaring strings, classical guitar, percussion and brass. While he’s got our attention, Martin introduces new material and interprets more mellow numbers with unexpected melancholy and even restraint, most impressively on the minor-chord-filled “Con tu Nombre” and single “Tu Recuerdo.” “Pegate,” an uptempo number co-written by Martin, is the bow that wraps up a long-awaited gift.” – BILLBOARD – “Spotlight” ALBUM REVIEW”

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