Reggaetón is given royal treatment

“W ith his new album, “King of Kings” (Universal/ Machete), megastar Don Omar is staking a claim to the throne of reggaetón, and signaling the start of a new era. The album is ambitious in scope, answering critics of reggaetón’s lack of variation in style, and Omar (nee William Landrón) brings considerable passion and intensity to his rapping and singing. While the jury is still out on whether his claim is valid, “King of Kings” solidifies his status as a strong contender.

Now that reggaetón’s initial burst of popularity has peaked, long-awaited new material”

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